Thrills with Daffodils – A Wordsworthian lovesong for Jeff (Warning: silly and exlpicit)

Earlier this year I went on a fantastic, unforgettable trip to France and Switzerland as part of an MA Romanticism course. As a group we gelled almost immediately, and one night, after a long day of roaming the Grasmere hills and reading and reciting Wordsworth’s genteel poetry, we got drunk and decided to write some of our own… needless to say our take on Wordsworth was a little more explicit than the original. We decided it should revolve around Jeff, who was our fantastic and friendly tour guide through Wordsworth’s life and work, whom we all liked and liked to have a laugh with. So here I give you our collective masterpiece by a bunch of drunk Romantic literature students.

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‘Thrills with Daffodils – A Wordsworthian Lovesong for Jeff’ by a bunch of drunk Romantic Literature students

Oh Wordsworth, you surely cannot know what
your words are worth to me?
Was it for this?
Or was it for John Carter?
But know this, my Jeffrey:
When I read the prelude,
I feel the need to get nude,
to let loose, in the reclusion of you…
Surely there is no manuscript
without you and I?
And twere there a shortage of pages
I need only your sodden, emptied clothes
for this, my lovesong for the ages..
The way you so tenderly touch the books spine
O’ twas sublime! Might you do the same with mine?
And Lo! On a gentle Grasmere peak
I wandered lonely as a cloud
You made my dick stand tall and proud…
As a curator, you conserve the past,
and so I wonder how long you’d last…
would it be dream-like slow or rapid fast?
And wherefore would our clothes be cast?
In the midst of pleasure when you said “go harder”!
I cried back “NO! Pray but think on John Carter!”
I could arrange the objects in your museum
In a way that will make you cum…
We might near that beauteous Elysium,
If you’d but do me up the bum?
O’ Come inside my Dove Cottage!
Bind me! Stitch me! Hold me hostage!
Dorothy and William let us follow…
let us pick up those fallen pieces
and stitch them together, like you didst to me.
Oh Jeff pray take rest, I shall be your scribe..
As you share your love of Will
May I play with your quill?
But give me a moment, I need to refill.
You folded me over in every direction
Will you help me sustain this massive erection?
The way you unfolded the map
To my heart, twas but a trap…
I remember in the room that tranquil breeze
But rejoice in knowing it was only you I seek to please.
I worked oh so hard to form a quarto
But alas! all I could get was an erecto.
Your homemade ink hast left a stain upon my heart,
While these manuscripts of such delicacy,
Set my heart aflutter like a feathered quill.
I’m bamboozled by your love,
Oh Jeff, you make me feel like a first edition…

You ask questions aplenty, to make us smarter
But the answer of course, is e’er John Carter.
You impressed me with such erudition,
And ere with your permission
didst I move the book-bearing box,
and pray as not to make you cross.
You taught me to count,
Just know that you can count on me,
And while I know how much you like rough edges
To these gentle hands one pledges.
Grab the needle and stitch me,
Make surest that thy hands are clean,
and be my needle, tend my seem.
And with your permission, John Carter,
We shall get dirty after class,
Shalt thou take me up the Mer de Glace?!
O Pluck my dainty daffodil!
And know that ten thousand daffodils dancing
Cannot compare with the tender rhythm of our humping.
I think often on when you showed me the prelude manuscripts
and freely weep,
As we bang on sweeping hilltops like horny sheep.
Feed me your Grasmere gingerbread
Whilst you go about giving me head.
And when you taketh me to bed
Twould be no struggle to get Jerwood.
Ah, let it be known the Grasmere trust
Didst nothing but stoke the flames of my lust,
Why we could together wipe the dust from Will’s bust,
Then fuck, ever so thoroughly we must..
Through time we shall travel,
The deepest mysteries of your body must I unravel.
I will write you a lyrical ballad,
whilst you gently toss me like a salad.

Lancaster fireworks (concrete-sound poem)

..- – Pop booom pop- ..-
..- — Potpourriiiiii of light —..
..– – Spraying colours spryly spiralling skyward — -..
..- Sonic boooms smoky shadows sprites dancing irises iridescences – ..
..– streeeaking ‘splosionss stratospheric silver sliversss –…
-.- -Violet Plumes and violent BOOOOMs and soaring sapphire flares — .-
– ..- Crackling crimson inklings sprinkling castle spires afire-.. –
–.. -. -conjuring cosmic corpuscles – ..–. –
–.. -Tonight ceaseless stars– ..-.
..–Momentarily- –..
.. dwindle.. .
As
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Continue reading “Lancaster fireworks (concrete-sound poem)”

On a Halloween night in the 80s… (a poem)

As time dissolved at the arcade
All through the night he played and played
Through pixel dungeons fought and flayed
til the owner pulled the plug

his neon kingdom overthrown
Astride his bike he heads for home
The roads are dark he’s all alone
the trick or treaters dreaming

Pumpkins line the streets for miles
Crinkled faces, seedy smiles
Sharpened teeth like crocodiles
So soon they’ll start to rot…

Through the graveyard theres a quick route home
With ominous oaktrees, paths overgrown
He manoeuvres softly o’er gravel and bone
So as not to break the silence

Then he hears a whisper close and slight
Lets loose a whimper- cocooned in fright
he pedals so hard his bike takes flight
and he falls into a grave..

he hits his head and vision swirled
and stumbles on some underworld
then before his eyes great wings unfurled
Nevermore! Nevermore! Nevermore!

and when he rose from that grave place
with body stiff and blood-streaked face
he smiled and felt the nights embrace
and went to find a victim…

***

The surreal graffiti-poetry of Jean-Michel Basquiat

SAMO, Jean-Michel Basquiat’s early alter ego, once wrote ‘graffiti is a poem the city writes to itself’. Though he’s best known for his iconic grafitti art – which sort of blends 80 neon, cave/wall art and tiki masks – his origin you might say was words. SAMOs words plastered and invigorated the New York city streets of the late 70s. Dwindling democracy, rife racial discrimination, violent capitalism and rampant poverty.. these topics were the rocket fuel to his booming creative engine. His words, like his art, were simple and yet pierced to the bone, they grappled with the deeper, underlying truths which were not to be found anywhere else. They made the unspoken not only visible, but beautiful. though already well on his way to the history books and stardom, in 1980 he was befriended by Andy Warhol who immediately saw his artistic genius and even bought some of his work.. Basquiat was made. Later he would collaborate with Warhol, though Warhol himself, one of the most iconic artists who ever lived, was disconcerted by just how easily his own work became lost, drowned out and utterly overshadowed when put anywhere near the sheer aesthetic immensity, originality and gravitational pull of Basquiat’s art. Jean-Michel died tragically of a drug overdose at just 27, but he was prolific, and created thousands of sketches, and hundreds of larger paintings which continue to hold great power and significance.

Below is a series of fragments taken from Basquiat’s early notebooks (ed. Larry Warsh), which I’ve rearranged to make a series of poems. Many of the words and phrases appear again and again in his grafitti/art/poetry – a hoard of words and images that he cut and pasted here and there, not unlike that method used by William Burroughs, an author who he greatly admired. Many of the phrases in the books are crossed out, and it is not known for certain why.. It could have been that he did not like these fragments, or maybe because he had already used them out on the streets. If the latter is true he’d have been something like an 80s NY version of Wordsworth: wandering about with his notepad and spraycans, jotting down ideas and poetic fancies as he went about on his odyssey, through streets thrumming and overflowing with energy and vibrancy. A sense-blitz, in which his creative mind was set alight by the scenes all around him. Many of these fragments, as you’ll see, are so vivid and poetic they could easily have come straight out of the pages of the Beat poets. They’re simple, raw and cut to the core. Here is

 

((___POEMZ“__by____Basquiat©____))

***

THE DREAM WILL NEVER DIE

ACCEPT THE REALITY OF LIVING

RUSHED INTO A LIMO BY SECRET SERVICE

IN A FRONTAL ATTACK

***

MILLING IN THE CROWD

TODAY HE ADMITTED TO BEING FOOLISH

RAN INTO THE TRAIN TO BEAT OUT THE FLAMES

THEY HAD TO

THEY FALLEN ASLEEP AND WERE INHALING THE SMOKE

SLIGHT CRACK IN THE GAS LINE

***

EMPTY AND MISRABLE

THIS LIFE IS AN OPEN SORE FESTERING

BRICK RUINS

TOMB HOLLOW MORTURARIES

VOICES OF AUTHORITY MAKE MAJOR CLAIMS

OTHERS   FROM THE EAST

GATHER AROUND THEM

SHO…

***

THE BAR WAS REALLY RED WITH CHINESE PAPER CUTOUTS

AND WOOD PANELING

THERE WAS A GLASS ARGUMENT AT THE POOL TABLE

IN THE BACK

“THAT’LL BE EIGHTY CENTS POP”

6 OR 7 OLD PUGS IN FELT

SHE LOOKED LIKE A VILLAN FROM TERRY AND THE PIRATES

***

I FEEL LIKE A CITIZEN

IT’S TIME TO GO AND

 

COME BACK A DRIFTER

***

LEAPSICKNESS

THE LAW OF LIQUIDS

THAT THORN IN MY HEAD NAGGING

MY FISTS CLOSED

VICTIMS OF EMBELLISHED HISTORY

THE SPORES FLOATED ON EVERTHIN

***

COLONIES OF BLACK RODENTS

FAKE SANDPAPER

SLEDGEHAMMER EYES

ROAD DINER

PLAY THE PART FOR HIS OWN REASONS

***

A MARBLE IN A SHOTGLASS

AFTER BREAKFAST HE STEALS A WALLET

FROM DAY OLD DRUNK ON SATURDAY MORNING—–

KERNELS OF CORN AS A FINAL OFFER FOR DEFECTIVE RIFLES

***

A YOUTH WITH “CROW” SYNDROME:

(AN ATRACTION TO SHINY OBJECTS)

SEES THE STONE AROUND HER NECK

FAT MONKEY

***

THE JIG IS UP

SO SAY GOODBYE TO THE NIGHTMARE

ON AUTOMATIC PILOT

***

FLICK OF THE WRISK

JAPANESE ARCHITECTS

AREA CODE OF ST. LOUIS

***

HE WAS PASTY WHITE

NO HE WAS SWARTHY, DARK AND SEXY—

NO HE WAS PASTY WHITE X—

***

A PRAYER

NICOTINE WALKS ON EGGSHELLS

MEDICATED

THE EARTH WAS FORMLESS VOID

DARKNESS

FACE OF THE DEEP

SPIRIT MOVED ACCROSS THE

WATER AND THERE WAS LIGHT

“IT WAS GOOD”©

BREATHING INTO HIS LUNGS

2000 YEARS OF ASBESTOS.

***

 

 

just a few haikus that prove Kerouac was a fucking genius…

I occasionally dip into Kerouac’s Book of Haikus when I need inspiration.. just a few lines of poetry so perfect, so encapsulating, so carefree…. just look and see

from Dharma Pops:

 

“the sun keeps getting

dimmer – foghorns

began to blow in the bay”

 

“the sky is still empty,

the rose is still

on the typewriter keys”

 

“In the sun

the butterfly wings

like a church window”

 

“You’d be surprised

how little I knew

even up to yesterday…”

 

“praying all the time –

talking

to myself”

 

“the bird came on the branch

-danced three times-

and burred away”

***

 

“such pillars of fire must precede the great noontide”

dottori-fire
Gerardo Dottori – Burning City (1926)

“Here is the great city: where you have nothing to seek and everything to lose… Here is the Hell for hermits’ thoughts: here great thoughts are boiled alive and cooked small. Here all great emotions decay… Do you not smell already the slaughterhouses and cook-shops of the spirit? Does this city not reek of the fumes of slaughtered spirit?… Woe to this great city! I wish I could see already the pillar of fire in which it will be consumed! For such pillars of fire must precede the great noontide… I offer you in farewell this precept: where one can no longer love, one should pass by…”

– Nietzsche, Thus Spoke Zarathustra

the phantom painter (surreal flash fic)

Dearest Theo,

It has been far too long! What is it, almost two months since last correspondence? Anyhow I Hope all is well with Ellen and the twins, and that business over at the publishers continues to run in all its usual proficiency. Apologies but preliminaries must be cut unusually short– i have the most astonishing story to tell you of the events of these past few days.. contain it any longer and I fear I shall be sent quite mad! So Recently I’ve been working at night rather than by day.. trying to find some spark in the dark.. spice things up a bit. Thus the studio is black, adumbral, the objects and oil coated canvases lit by only the faintest, chalky flame.. like Rembrandt, I find these objects to be so much more beautiful when draped in shadow. Consequently Ive spent many of these past days in an abyssal, positively ursine sleep.. waking only in the nocturnal hours, and feeling somewhat as if Im still teetering on the brink of a dream. Every thought seems to echo, to send ripples out into my personal cosmos, and those dim unconscious wanderings that are usually so easily silenced, are now raucous, even threatening to take sway.

Although more than a little discomfiting this delirious state has done wonders for my art, a seismic change, and no doubt i shall continue to drift in this stupor so long as my painterly endeavours continue to exude such inveterate vivacity. But there is something else more pressing — before this metamorphosis of art and mind I had been content enough with painting still life, but after turning nocturnal I quite suddenly became dead set on testing my newfound aesthetic gall on figures, and so sought out a muse. initially, I struggled beyond mannered expression to find someone willing to come down to the studio at so exclusive and unconventional an hour, and most the stragglers who found willingness demanded such extraordinary monetary recompense that I had no choice but turn them down. Fortuitously enough however, I was aided by a similarly manic-minded artist friend who pointed me towards a very singular fellow who was agreeable to lending his presence at such hours for a reasonable sum.

My friend had informed me beforehand that the man was mute, which I found rather endearing, but had revealed little else of him. Having now met the man and spent some time with him these past few nights i can tell you he is without doubt the most enigmatic of personages I have ever encountered. Not only is he mute of voice but in expression of any kind, and yet there is an invisible, silent intensity there.. like that which one feels when observing a truly great portrait of a figure who bears no expression.. but who is nevertheless radiant with some unseen aesthetic, some .. atomic energy. He is strikingly handsome, as a Michaelangelo, certainly on a par with cousin Jane –which as is well known, is no mean feat. And that stare.. by God! it is like lingering in those slowed down seconds just before the lethal pounce of a great beast..

Anyway Last night curiosity got the better of me, and after having drawn a few charcoals, like shaping smoke with the tip of a finger, I told the man that he could leave a little earlier than usual – but for the same fee of course. So he took up his coat and left, then I was struck by an irresistible urge to follow, to find out more of this enigma, and so found myself stalking the city streets in the pitch night. the streets of Amsterdam were so staggeringly beautiful I almost wept — the stars pranced and pirouetted on the canal, the cobbled streets shimmered with lunar hue, the cathedral spires pierced the sky like ethereal stalacmites.. it was divine. But i digress.. I pursued the mute some way through the silent city streets, a small few other phantasmal wanderers adrift in my periphery, and he moves towards the gates of the cemetery.. understandably hesitant, I followed into the dark, and thought Id lost him amongst the clustered silhouettes of trees and elaborate headstones.. but then caught sight of his fleeting form and resumed pursuit.

i couldn’t help but think of the gravestones as being like withering teeth, that I was moving deeper and deeper into the gullet of some slumbering titan.. lost in such dreamy thoughts I again almost lost sight of him, when I glimpsed him clambering over the cemetery wall. he climbed over the seven foot stonewall with a grace and ease that seemingly verged on the superhuman.. I followed, with the grace of a wounded seal and fell over the other side a minute or so later. small wonder i landed in time to see him enter one of the buildings a little way up the street lit by a flickering streetlantern. Apartments. I approached the dilapidated looking place, and the main door was unlocked. I entered, and moved towards the dim light upstairs and saw he had left a door slightly ajar.. I should have turned away then, but was somehow unable to suffocate my curiosity.. I knocked lightly, like a whisper of a knock, and when there was no answer I pushed open the door and entered. Well I was astounded. His room was filled, crammed, with glorious works of art… hundreds of sketches, less but still a great many paintings.. some larger and more intricate, others more like studies of shape and form, they were all strewn about haphazardly. the paintings were mostly shadowy figures, though some were of buildings, castle ramparts, manses, and one  striking work of a ship in the midst of a great biblical storm.. then one particular work caught my eye, clearly a more recent addition, still resting on the easel.. as I gazed on it i felt a terrible upsurge of nausea take hold of me … like that moment when one realises theyre still asleep even when theyre most certain they had woken up…. 

The painting was of me. sat in this very room, face half masked in shadow… and the likeness was so exquisite, so perfectly rendered.. why such a work could only be the creation of innumerable hours, and whats more it could only be a painting by an artist looking directly upon a model.. but how?! I had never before set foot here! Had i at some point sleepwalked to this place and sat for this man to paint my like? Madness! Id have had to come down for hours, days, for such an image of greatness to emerge… what a wonder it was! what a wonder I was! I could not but think that looking upon this image brought about the very same feeling as that conjured in the breast of Narcissus at the edge of the pond.. then, Just as I was overcome with this paranoiac blitz of thoughts I heard the door close behind me and there stood the phantom himself. “Ah, my muse arrives” he says.. “please, do resume position. Ive to make some final touches” — he points to a chair in the corner of the room, lit by pale candlelight from one side.. all was configured exactly as in the painting……………. words escaped me……. I couldn’t speak…. I wouldnt. and so I wordlessly sat in the chair as he delicately dipped his brush, and began paint…

Dear Theo, it occurs to me to ask– have you ever heard your own voice whilst in the midst of a dream?? Do try to keep up writing me, i so often lose all sense of time without your words to keep me aground.

Ever your loving brother,

Anthony v B, september 5th 1633

Continue reading “the phantom painter (surreal flash fic)”